Reeve Oliver/The Matches - Takeover Records 3-way split #2,
Near MissThe second in the Takeover Records three-way split installment, this CD showcases three reasonably new, albeit completely different, bands. Near Miss have a Bigwig-esque technical skate-punk sound, Reeve Oliver come acros like a mix between Spitalfield and the Foo Fighters, while The Matches throw in two acoustic versions among their four offerings. It's an interesting mix that works pretty well, although there's only Reeve Oliver that really stand out here for further inspection.
The split starts off so well - Near Miss' 'Number 7' is fast, furious and aggressive, with oodles of melodies and a near hardcore sound that really kicks out the jams. It's a shame the band's other two songs don't hit these heady heights, although 'Now Rectify' is worthy of checking out if you have a spare three minutes. Reeve Oliver are a much better prospect, with 'Summer' and 'I Play The Sensitive Songwriter Card' particular pop-rock gems that beg for radio airplay. These kids are onto a winner, remember the name.
The Matches are up last with four tracks, although none really stand out for me and they let the side down somewhat, dragging this record from a probable 7/10 to a 6. If you like the band, then the two acoustic tracks will probably tickle your fancy more than someone like me, who thinks their fun and japes are just a little too off-the-wall. So that's your lot - worthy of checking out if you're after some new bands to check out on the cheap, but personally I'd recommend you skip this and get the Reeve Oliver album instead.
www.takeoverecords.com
paul
