Try to picture what it might sound like if Pantera, Slipknot, and Machine Head all had a bare knuckle fist fight with each other. The resulting inevitable chaos would be pretty close to how Great American Ghost sound. Comprising vocalist Ethan Harrison, guitarist Niko Gasparrini, bassist Joey Perron, and drummer Davier Perez, the four-piece have spent the best part of eight years taking no prisoners with their riotous material and adrenaline-fuelled live performances. 2020 sees them primed to ascend to all new heights, and they know exactly how reach them.
Already in possession of their debut album âEveryone Leaves’ and raging follow-up, ‘Hatred Stems From The Seedâ, and having recently made their mark on the UK and Europe by spitting venom all over the Never Say Die Tour, theyâre getting romantic by dropping brand new offering âPower Through Terrorâ on Valentine’s Day. Itâs not really that romantic at all – unless you love big meaty riffs, pulverising drums, furious snarling vocals and violence, of course. In which case, prepare to fall head over heels for your new favourite band.
It becomes quickly apparent what this record has in store right from the opening moments of âRat Kingâ. Unsettling high pitched tones swell into dense guitars and pained screams, flowing from sharp stinging verses and gigantic chugs into an anthemic declaration of âhope wonât save us nowâ. It’s crushing, angry, and negative, and this is the opening track. Thereâs still nine more tracks and this barely scratches the surface of the treats in store.
The following two tracks are the two leading singles from the record, âPrison Of Hateâ and âAltar Of Snakesâ. The former is a balls-to-the-wall thrasher, racing through gigantic riffs and Harrisonâs tortured vocals towards a tsunami of a closing breakdown. The latter begins as a slow bruiser, armed to the teeth with monstrous chugs and haunting melodies before Perez launches into furious blast beats as an unexpected change of pace. The final breakdown is quite something too, every palm-muted chord connecting with inhuman precision.
The rest of the record is rife with devastation at every single turn, with each route just as dangerous as the one that preceded it. Thereâs the death metal-influenced white-knuckle ride of âRivers Of Bloodâ, the Dimebag Darrell grooves that Gasparrini channels into âBlack Winterâ, the intense rage contained within the unsettling âScorched Earthâ, the unapologetic headbanger and potential pit favourite âWarBornâ – itâs just punch after punch, hitting you directly in all your most delicate places. A couple of these punches hit harder than the rest though, and theyâre worth shining a light on.
The title track âPower Through Terrorâ is one of those tracks that has the potential to summon a pit in even the most static rooms. The pinched harmonics cut through like a hot knife to butter, the chugs rumble deep enough to crack ribcages and when you think it canât get angrier, it just continues to do so. The diamond here, though, is the closing number âNo Moreâ, ending proceedings in the most calamitous way possible. The most menacing and evil sounding song on the record, it combines elements of everything that came before and crams them into three minutes and twelve seconds of divine sonic punishment. The very last closing breakdown is the best of the entire album, led by the line âlove was never fucking thereâ and followed by thick, meaty chunks of tone that leave you salivating and in awe of the record you just heard.
‘Power Through Terror’ is like a wrecking ball covered in nails. Itâs heavier than heavy, capable of smashing anything and everything on its road to glory. The production is second to none, with metal and hardcore audio wizard Will Putney flexing his muscles once again to create one of his most biting and devastating mixes to date. That devastation suits this band well, giving the apocalyptic songwriting the necessary extra weight to literally bring about the end of times.
If you came here wanting a lovey-dovey, super sweet mixtape to give to your partner on date night, youâre in the wrong place. If you came here hoping to find a vessel to channel your demons into, however, youâll find yourself pressing play over and over as you therapeutically feed your internalised struggles to it. Great American Ghost have created a monster that seethes with rage, grinding its teeth and clenching its fists from the opening notes right up to the very last cataclysmic chord. Itâs a powerful statement, loudly announcing their return to the playing field and refusing to leave. This is a band that youâll want to keep an eye on – they’re already making big moves and theyâre just getting started. A phenomenal sophomore album from rising stars of the genre.
Happy Valentine’s Day. Sort of.
DAVE STEWART