Bad Cop/Bad Cop are fighting the good fight. They are stoking the revolution, calling out injustices, and preaching the importance of self-love. The Los Angeles-quartetâs third full-length record, âThe Rideâ, is highly prophetic and arrives at precisely the right time to capture the mood of this deeply troubling period.
The bandâs ethos has always been one of empowerment, highlighting the importance of community and solidarity with the marginalised. While âThe Rideâ has a much more positive feeling than their rage-filled sophomore record âWarriorsâ – released in the aftermath of the 2016 US presidential election – there is still a lot of anger piercing through this album.
Some of the most visceral tracks are penned by bassist Linh Le, with both the thrashing âCertain Kind of Monsterâ and âPursuit of Libertyâ taking on the demonisation of immigrants in the US. The former is an unsubtle swipe at the militarised ICE agents ripping families apart, in which Le poignantly states âyou donât have to sink so low just to do what youâre toldâ.Â
The latter is a brutally personal tale of her parents emigrating from Vietnam to the US in the 1970s and now feeling unwelcome in the nation they love. Le questions whether she could be witnessing the beginning of a âFourth Reichâ, stating: âby raising the fences weâre lowering the bar / it seems like weâre traveling back to Manzanarâ, referencing the concentration camps set up by the US to house Japanese Americans during World War II.
Anger and exasperation is juxtaposed with hope and positivity in other tracks. Another deeply personal tale comes in the form of âBreastlessâ, where guitarist Stacey Dee frankly discusses the life-altering effects that came with overcoming breast cancer. While dealing in a very serious topic, Deeâs words provide encouragement and defiance.
That is the overarching feeling throughout âThe Rideâ – one of encouragement, and the strength we possess when we band together. Whether it’s in the place you live (âCommunityâ), in resistance to a greater evil (âOriginatorsâ), in believing in yourself (âThe Mirageâ), or simply a celebration of being comfortable to accept who you are as a person (âSimple Girlâ). Â
The anthemic closing track âSing With Meâ puts a nice full stop on âThe Rideâ, in which gang vocals provide that sense of belonging. The anger and rage may have subsided somewhat in Bad Cop/Bad Copâs latest record, but it has made way for something much more important – a sense of optimism and a persistent hope that weâll come through the other side, if we keep fighting the good fight.
TOM WALSH