By Ben Tipple
Dec 3, 2014 12:00
There’s an indisputable buzz engulfing the backstage area of London’s subtly stylish Roundhouse as we arrive to speak to The Xcerts frontman Murray Macleod. This excitement is in no small part emanating from headliner Twin Atlantic’s dressing room, as they boisterously joke around ahead of one of their most anticipated shows to date. Yet in the distinctly smaller dressing room adjacent to that of Twin Atlantic, the buzz is building for a different reason.
âWeâve never been in London for an album release day,â Macleod says, perhaps providing some explanation for the restlessness and downright stress exuding from The Xcertsâ team. âThe last two times weâve been in Aberdeen or Inverness playing on a boat.â
Today, a cold Monday back in early November, The Xcerts have unleashed their third full-length into the world. âThere Is Only Youâ is, at least superficially, a reinvention for the band. Itâs a far cry from their âIn The Cold Wind We Smileâ debut, and a further cry from their sophomore release â the critically acclaimed âScatterbrainâ. âThere Is Only Youâ is filled to the brim with pop hooks, the likes of which have the potential to make tonightâs headliners envious.
âItâs so strange because you kind of base whatâs happening on your phone,â Macleod speaks of the release hype behind the new record. âYou get constant updates of whatâs happening. If weâre basing it on that, which we never do as a band, today has been insane.â
Macleod isnât out of line. âThere Is Only Youâ has spent the weeks leading up to the release gathering not only critical acclaim, but mainstream radio plays and a notable buzz in their fan base and beyond â not least due to an early album stream. Itâs entirely new for the band. Debut âIn The Cold Wind We Smileâ turned some heads and started the ball rolling, but didnât propel The Xcerts into the limelight. The follow up delivered on a critical basis and allowed the band to tour extensively, but failed to achieve quite what the band had in mind. âIt was quite love/hate,â Macleod muses with impressive accuracy.
âWhat we wanted to do with âScatterbainâ, we thought that people would come see us live and really like the record and tell all their friends about it,â Macleod admits. âScatterbrainâ, recorded in New York with veteran producer Mike Sapone, was supposed to be the bandâs breakthrough â at least in their minds at the time. âPeople werenât quite sure what to make of the band. They didnât quite get it.â
As Macleod continues, it becomes clear that this was a bittersweet pill to swallow. The critical success of âScatterbrainâ pushed the band forward, and its style encouraged other bands to take notice. Ultimately these bands opted to take The Xcerts on tour in what would become a four year long excursion â including stints with one of the bandâs heroes, Brand New. Yet this didnât translate as well to their audiences. For a band who live for audience sing-alongs â as Macleod later admits â âScatterbrainâ lacked the opportunity.
âPersonally, I donât think we had our shit together,â Macleod provides as an initial explanation to both why âScatterbrainâ didnât elevate them as high as they might have hoped, and why there is a big step between that and new record âThere Is Only Youâ. âWe were still figuring stuff out on our live performance. It was supposed to be a total rockers record, but at times it was perhaps a bit too much for the tours that we were doing.â
For a man so open about his misgivings with the previous material, there isnât an ounce of shame. âScatterbrainâ was a great record â is a great record. The acclaim it received makes it difficult to argue to the contrary. âLooking back, we love that record,â Macleod says with as much integrity as before. âI donât think enough bands take pride in their back-catalogue.â
Although not comparing The Xcerts to cult superstars, Macleod continues to analyse. âI think people forget. Everyone is trying to aim for their âO.K. Computerâ on their first record, but thereâs two records before that. Thereâs âBleachâ before âNevermindâ. All the bands we look up to, itâs always their third record when they get it.â