In a year that’s been full of nasty surprises, it’s incredibly welcome to have something nice happen for once. Enter punk rock legend Laura Jane Grace, who’s just dropped an unannounced solo album of original acoustic songs.
āStay Aliveā is an album that in any normal year may never have seen the light of day, at least not as a solo record. With the members of both of Graceās bands – Against Me! and the Devouring Mothers – on lockdown and in different parts of the country, she had a collection of songs and no band to record them with. In her own words, āI just came to the realization that waiting was going to kill the record and kill the songs. I spent two years working on all these songs, and the idea of throwing them away didnāt sit well with me… I can sit here on my fucking ass and do nothing, or I can workā.
The result is ‘Stay Aliveā, a wonderful record, and Graceās finest work since the seminal album āTransgender Dysphoria Bluesā, recorded with Against Me! in 2014. Sonically, it’s an album recorded primarily on an acoustic guitar, with the occasional use of an electric guitar and a drum machine. This is the most stripped back release in Graceās back catalogue, a stylistic shift that the songs really benefit from, creating space for the emotion in Graceās lyrics and vocal performances to shine through.
Despite consisting of 14 tracks, this is a relatively short album, clocking in at just 29 minutes. With the exception of one song, none of them are longer than three minutes, with the majority sitting at around the two minute mark. Each song has a different sound, and the shift from one song to the next can be quite stark, despite their acoustic foundations. This, coupled with the short song lengths, gives the album a real sense of urgency and variety that keeps you hooked in throughout. The vocal melodies all over āStay Aliveā are complete earworms, and will compel you to keep coming back for more.
According to Grace, some of these songs had been written for Against Me!, and with some songs, such as āSuperNatural Possessionā, āThe Magic Pointā, or āSo Long, Farewell, Auf Wiedersehen, Fuck Offā, itās not hard to imagine how they might have sounded in a full-band set-up. These are some of the catchiest songs on the record, and will be a great addition to Graceās live repertoire. That said, however, the vast majority of āStay Aliveā has its own distinct sound, and the record succeeds on its own merits, rather than being an acoustic Against Me! album. It sounds unlike anything else in Graceās back catalogue, and itās a testament to her as an artist that, 20 years into her career, she is still pushing herself musically and coming up with an end product that is this good.
āShelter in Placeā is one of the albumās standout tracks, and a song that could only have been written in 2020. The song puts a positive spin on quarantine, as Grace sings āgive me refuge in your shelterā. The aforementioned āSuperNatural Possessionā is another outstanding moment, a swaggering, catchy rock number, and one of the few songs on the album that makes use of a distorted electric guitar. Graceās lyrics are superb, and express feelings that many of us will have experienced over the past 6 months as she sings āIām having a hard time having a fun time / Iām having a hard time having faith in myself / When the strange becomes familiar / and thereās no going back from where youāve beenā.
āHanging Treeā is Grace at her most political, taking aim at the far right in America. She has long been an outspoken critic of Donald Trumpās presidency, and here she directly accuses him of ātweeting from a golden towerā. The chorus – not explicitly aimed at anyone in particular, but presumably aimed at Trump and the American far right in general – has Grace singing āGod is good and God is great / now get the fuck out of the USAā.
The album ends with āOld Friend (Stay Alive)ā, a classic melancholic closer, in a similar vein to Against Me! album closers like āBamboo Bonesā or āBlack Me Outā. Like both of those songs, the chorus sounds like one that will be screamed back at Grace by fans in a live setting if and when she tours in support of this album. The song is pensive, but with a positive uplifting underlying message, making it the perfect rallying cry for the jaded and disillusioned in 2020. Then it ends abruptly, leaving you wanting more. Make no mistake, thereās a high chance youāll be pushing play on the album again not long after this song ends.
Laura Jane Grace is one of the most influential voices in modern punk music, and ‘Stay Alive’ is another fine addition to her already extensive back catalogue. Although this was never truly intended to be a solo release, and despite all the trouble 2020 has brought, ‘Stay Alive’ is comfortably one of the year’s finest releases.
ASH BEBBINGTON