Motion City Soundtrack have to be having the summer of their lives. Last year they dropped their seventh album, ‘The Same Old Wasted Wonderful World’, and six years after their reformation, Motion City Soundtrack are back in the UK for Slam Dunk. “It's always like a summer camp almost, when you play at the festivals,” says drummer Tony Thaxton, “We got to see Angel Dust today, which is a band that I've been trying to see for a long time, so that's cool. We’ve been hanging out with the Bayside guys and seeing a lot of old friends.”
“I forgot how great UK crowds are,” adds keyboardist Jesse Johnson. “It’s been ten years since we’ve been back. Last night, [when we played at Islington Academy] the show was just like such great energy and the crowd were singing along louder to the new songs than we’ve ever heard, I think.”
It’s been almost a year since ‘The Same Old Wasted Wonderful World’ came out, and after a decade away from recording, Motion City Soundtrack’s fans were just as pleased with the prospect of new record as the band were. “I think we’re all really proud of it,” shares Johnson, “Before we did it, because it had been so long since we’ve done new stuff together, I was admittedly a little skeptical about doing new stuff. I’ll be the first to admit it. But the results surpassed my expectations. I’m sure there’s some new bias there because it’s still kind of fresh and everything, but yeah, I’m really proud of it. I think we all are. Hopefully people are liking it… they seem to be! It’s like we kind of took the pressure off of being on a touring cycle or recording cycle and just did it.”
“I don’t think we really even say ‘let’s do this, let’s try to make this,’” agrees Thaxton, “we just sort of write songs that we like and hope other people like them.”
The standout track on the record has to be ‘Particle Physics’, featuring Fall Out Boy’s Patrick Stump. It was a collaboration which occurred naturally, according to Thaxton. “Patrick had parts for a song and he thought ‘this is kind of more like a Motion City Soundtrack song,’ so it was born from that.”
“I think the chorus was there,” says Johnson, “and then we took what was there and everybody put their own stuff to it. It was a lot of Patrick, but then us putting our own little flavour in there as well.”
“Luckily enough, we’ve been friends with those guys for twenty five years now or something like that,” smiles Thaxton.