Milestones – ‘Equal Measures’

Despite their support slot with Hawthorne Heights (yes, they really are still around) and their legions of fans on Facebook, Milestones remain inexplicably unknown. We all know Manchester’s done indie well throughout the ages but it looks like it’s pop punk’s time to shine, as these guys’ new EP ‘Equal Measures’ deserves to earn them a bit more attention.

Recently signed to Fearless Records, the band have joined the big guns of the genre and are producing music that at times outshines some of their peers. ‘Call Me Disaster’ proves they’re already masters of their craft. A twinkling introduction, gentle vocals and a simple singalong chorus are all you need for a hit. Throw some group cheers and well placed pauses in and it’s a brilliant opener.

The emo side of Milestones shines through in ‘Hindsight’. A racing track that follows the standard formula – a gradually noisier body with a much quieter, brooding section towards the end – it’s plucked straight from the days of small gigs promoted on Myspace.

‘Nothing Left’ begins like a ballad before crashing in to a sickly sweet pop-punk song. ‘Equal Measures’ follows a similar vein but, considering it is the title track, doesn’t stand out as much. It’s a fine addition to the five track EP but when the standard’s been set by its predecessors it doesn’t quite live up to it.

Closer ‘Shot In The Dark’, opening with “we’re just dying inside”, marks itself as an unapologetically emo song from the outset. One for those of us who don’t mind a bit of self-indulgence, it’s definitely a song to listen to when you’re already in a bad mood. It isn’t going to lift your spirits but the whoah-ohs and attempted guitar solo of its ending would provide a good soundtrack to your angst.

Milestones are making a good shot at the varying sounds of pop-punk with a strong emotional current. Although the arm waving, cry along moments are sure to please some fans of the genre, it’s the bouncier, upbeat moments where the band truly shines.

KATHRYN BLACK