I fucking love Bigwig. No two ways about it. Just thought that should be pointed out, to cover the random and blatant bias that will be spewing forth.
The follow up to the 2001 release ‘Invitation To Tragedy’ has been long in the making and eagerly anticipated by many fans of the awesome NJ boys. ‘Reclamation’ doesn’t let down. Admittedly I had to listen two or three times before I was ready to accept it as the Bigwig we all know and love, but that comes down to the sheer rage that covers the content of the record – in the past Bigwig have been known to throw in the odd light-hearted ditty here and there, even having the balls to satirise Propagandhi something sweet (don’t worry kids, they’re all friends). But that lighter edge is missing from the new Bigwig, replaced by all-consuming Chuck Norris levels of rage. They’re angry, and by shitting crikey if they aren’t going to tell you about it. The stall is set out from the very first track with one of the very first lyrics – “I refuse to suffer anymore.” And anyone who thinks otherwise can get fucked. It’s an attitude that doesn’t endear to all, but personally I can relate to it very well indeed.
Once you hit track four – Cross and Burn – if you don’t have a full on stiffy (or female equivalent) then you’re dead inside, outside and all over. Seriously. DEAD. It really is a fantastic album throughout and a testament to the ability of the band. Or something. There are some factors, however, that keep on nagging in the back of my mind. Bigwig have always been an angry band, but the lighter songs in the past always managed to offer more balance to their records – the lack of these more fun loving songs, whilst not an entirely bad thing, means the whole album doesn’t let up. No emotional breaks, just thirty minutes of being shouted at. This is a minor criticism, mind. The other minor niggle is a silly one, but one that won’t stop popping up – track eight, Timebomb, makes me sing the Team America song ‘Freedom Isn’t Free’. Every time. And now I hope it does the same to you.
Anyway – minor problems and silliness aside, this is a very strong album and a welcome addition to the incredibly strong catalogue for the Bigwig boys. They should be coming over later this year (or they did come over in the past, depending on when you’re reading this), and the spectacular live show should not be missed.
www.njbigwig.com
Fearless
Ianos