Me Vs Hero were second on, coming on stage to their superhero introduction. By this time a few more people had shown up and the atmosphere in the Academy was a bit more vibrant. I’ve not seen these guys since January and I was impressed by how much they’ve developed over only a few months. Not just another pop punk band, Me Vs Hero have a pounding rhythm section and passion oozing from their stage presence, giving the impression of an extremely professional looking band whose success has been built on hard work. A bit too much bass and drums were coming through the mix, but that’s not unusual for the Academy 2 but at least the vocals were reasonably clear. The set included the infectious ‘Days That Shape Our Lives’; the video to which is available to watch now. (4/5)

Out of Sight had a much more balanced sound which made my ears feel a bit better. Snappy vocals and up-tempo drums mixed with gang vocals created an enthusiastic crowd pleasing set with clap-a-longs and even a bit of movement from the fairly young looking crowd. ‘This Is What Living Really Feels Like’ was a highlight of the set and Out of Sight looked comfortable and played well together. I’ve never really paid much attention to Out of Sight which was clearly a mistake on my part as the band are yet another great home-grown act with enjoyable southern accents which creep in from time to time.(3.5/5)

The crowd didn’t get much bigger for Every Avenue and the venue was probably only about a third full. As the set started my initial thoughts were rudely interrupted by the ridiculously bright lights on stage causing me to squint for a while making lead singer Dave a bit blurry. Ironic because if he had drunk as much as he was bragging about then chances are the crowd were a bit blurry for him too. Whilst I don’t mind Every Avenue on CD, there’s something a bit disconcerting when a hundred 14 or so year old girls are singing “Stuck between her legs where she sets her trap, what can you do with a girl like that?” The mixture of questionable lyrics and talk of drinking, drugs and stripping made me cringe and wonder exactly what example Every Avenue are trying to set. The sound was again a bit questionable with barely audible lyrics at times and too much of the drums and bass. The crowd seemed to really enjoy the show and judging by the amount of people waiting by the stage door, Every Avenue clearly have a dedicated fan base who were more than happy with the performance. (2/5)

Libby

Is there a story behind the band name?
It’s band name that has been associated with our singer and myself since 2002. We honestly were too cheap to change our band name when the band changed up in 2004. Basically we didn’t want to pay for a new URL domain name for our website! “Every Avenue” originally came from my brother brainstorming countless band names when I quit my old band. I said something like “I’ve gone down ‘every avenue’ figuring out this band name.”

Please run through a little history of how Every Avenue came to be a band to what you are all about in 2008.
David and I are the only original members left in the band. We started in 2002 with a few other guys and everything fell apart. David played guitar, I played drums, and we had a different lead singer. We kicked our old singer out, who actually is our tour manager now, and asked David if he would try singing. He never sang before, so it was a lot of work. Since then we’ve added Josh, and due to member switch outs, added Jimmie (guitar) and Matt (bass). We’re finally feeling like a complete band.

You’re from a small town in Michigan – how hard did you find it to get noticed, especially bearing in mind the state is sandwiched between some pretty big states in terms of musical history…
Marysville/Port Huron, MI is really not a hotspot as far as the music scene goes. We had to rent halls to play shows. We learned a lot that way though. We had to DIY. We booked our own tours, started recording our own music in our homes. We left Michigan in December 2005 to record with John Naclerio at Nada Recording Studio. That when everything changed. We knew we wanted music to be our future.

How did you get picked up by Fearless? Did you have much label interest? What did you look for, as an unsigned band, in a label?
After we released our 2nd independent EP (‘This Is Why We Don’t Have Nice Things’), we got some of attention from major and indie labels. Fearless came around not too long after and they were exactly what we were looking for. They are really supportive of their artists. More than a few artists have taken off after signing with Fearless. They are more than we could have asked for. We meet so many artists who are unhappy with their label. It’s sad, because they are responsible for helping your music reach your audience.

You released the EP ‘Ah!’ and then just recently put out the album ‘Shh Just Go With It!’ – what did you learn from the two recording processes?
Be well rehearsed, but not too rehearsed, things change in the studio. That was the case for the full length. With a few songs, especially the b-sides, lots of parts will change. We practically wrote a song while we were recording; it’s just another way to create music.

What led you to re-record Where Were You and Think of You Later and how did the re-recording process work out?
Both of those songs are fan favorites, that made us think that maybe we still have a large audience who haven’t heard these songs yet. So we re-recorded them. These are songs we plan on playing live for a while.

Have you been surprised at the reaction from press/fans since the album came out? It’s had some pretty cool reviews…
There have been some great reviews, and some awful ones. The funny thing is, when you compare the reviews, they contradict each other’s. There is just difference of opinion. We don’t take the reviews seriously. Half the time people who shouldn’t pick up a pen write these reviews.

Did you have any expectations about how well the CD would do? As a band do you set yourself sales targets etc?
Not really, our job is to write and play music. Obviously, we want our CD to end up in the hands of fans. We want our live show to sell our CDs. We’ll hang out at our shows too, maybe with an iPod and introduce our band to kids; it’s a great way to make fans.

You’re obviously a band which has benefited from using the internet to spread the word but do you feel bands in the 21st Century put too much emphasis on working online rather than actually getting in the van and touring?
When we first started, the Internet and local shows were the only way to get our name our there. Bands must leave their hometown and home state if they plan on making it. In extreme cases, some bands make it without ever playing a show. Don’t count on it! There are too many bands that expect to get noticed by the industry just by making a myspace profile.

When will we see you touring the UK?
No official talk has occurred yet, but we hope soon!

If you could tour with any one band who would it be and why?
For me personally: The Police. I would just stand behind Stewart Copeland every night and wish I were as good a drummer as him!

If you could give three tips to anyone in a band from a small town what would they be?
Write great songs!! Songwriting is still important to fans and the industry. Promote yourself online, at your shows and other bands local shows; playing isn’t everything if you want to succeed. Touring is a must. It fuels fans that you meet online to become more into your music. And some labels won’t even bother with you if you’re not trying to do it yourself first.

Is there a story behind the band name?
It’s band name that has been associated with our singer and myself since 2002. We honestly were too cheap to change our band name when the band changed up in 2004. Basically we didn’t want to pay for a new URL domain name for our website! “Every Avenue” originally came from my brother brainstorming countless band names when I quit my old band. I said something like “I’ve gone down ‘every avenue’ figuring out this band name.”

Please run through a little history of how Every Avenue came to be a band to what you are all about in 2008.
David and I are the only original members left in the band. We started in 2002 with a few other guys and everything fell apart. David played guitar, I played drums, and we had a different lead singer. We kicked our old singer out, who actually is our tour manager now, and asked David if he would try singing. He never sang before, so it was a lot of work. Since then we’ve added Josh, and due to member switch outs, added Jimmie (guitar) and Matt (bass). We’re finally feeling like a complete band.

You’re from a small town in Michigan – how hard did you find it to get noticed, especially bearing in mind the state is sandwiched between some pretty big states in terms of musical history…
Marysville/Port Huron, MI is really not a hotspot as far as the music scene goes. We had to rent halls to play shows. We learned a lot that way though. We had to DIY. We booked our own tours, started recording our own music in our homes. We left Michigan in December 2005 to record with John Naclerio at Nada Recording Studio. That when everything changed. We knew we wanted music to be our future.

How did you get picked up by Fearless? Did you have much label interest? What did you look for, as an unsigned band, in a label?
After we released our 2nd independent EP (‘This Is Why We Don’t Have Nice Things’), we got some of attention from major and indie labels. Fearless came around not too long after and they were exactly what we were looking for. They are really supportive of their artists. More than a few artists have taken off after signing with Fearless. They are more than we could have asked for. We meet so many artists who are unhappy with their label. It’s sad, because they are responsible for helping your music reach your audience.

You released the EP ‘Ah!’ and then just recently put out the album ‘Shh Just Go With It!’ – what did you learn from the two recording processes?
Be well rehearsed, but not too rehearsed, things change in the studio. That was the case for the full length. With a few songs, especially the b-sides, lots of parts will change. We practically wrote a song while we were recording; it’s just another way to create music.

What led you to re-record Where Were You and Think of You Later and how did the re-recording process work out?
Both of those songs are fan favorites, that made us think that maybe we still have a large audience who haven’t heard these songs yet. So we re-recorded them. These are songs we plan on playing live for a while.

Have you been surprised at the reaction from press/fans since the album came out? It’s had some pretty cool reviews…
There have been some great reviews, and some awful ones. The funny thing is, when you compare the reviews, they contradict each other’s. There is just difference of opinion. We don’t take the reviews seriously. Half the time people who shouldn’t pick up a pen write these reviews.

Did you have any expectations about how well the CD would do? As a band do you set yourself sales targets etc?
Not really, our job is to write and play music. Obviously, we want our CD to end up in the hands of fans. We want our live show to sell our CDs. We’ll hang out at our shows too, maybe with an iPod and introduce our band to kids; it’s a great way to make fans.

You’re obviously a band which has benefited from using the internet to spread the word but do you feel bands in the 21st Century put too much emphasis on working online rather than actually getting in the van and touring?
When we first started, the Internet and local shows were the only way to get our name our there. Bands must leave their hometown and home state if they plan on making it. In extreme cases, some bands make it without ever playing a show. Don’t count on it! There are too many bands that expect to get noticed by the industry just by making a myspace profile.

When will we see you touring the UK?
No official talk has occurred yet, but we hope soon!

If you could tour with any one band who would it be and why?
For me personally: The Police. I would just stand behind Stewart Copeland every night and wish I were as good a drummer as him!

If you could give three tips to anyone in a band from a small town what would they be?
Write great songs!! Songwriting is still important to fans and the industry. Promote yourself online, at your shows and other bands local shows; playing isn’t everything if you want to succeed. Touring is a must. It fuels fans that you meet online to become more into your music. And some labels won’t even bother with you if you’re not trying to do it yourself first.